Incarceration - Sacrifice [EP] (2013, F.D.A. Rekotz)

I suppose you could say the Brazilian/German death metal band Incarceration are on the verge of breaking through within the underground of heavy metal. Having garnered much praise through numerous reviews Incarceration is now more or less a household name within certain circles of the underground of old school death metal. I had the extreme pleasure of witnessing their performance at the last edition of the Danish death-festival Kill-Town Death Fest where they played the smallest stage, Dødsmaskinen. Witnessing their savage performance seemed like a privilege in itself, especially with frontman Daniel Duracell smiling broadly the entire time, obviously enjoying what he does even if death metal is of course very serious business.

But enough of this, let us get back to the matter at hand: The band's 2013 EP "Sacrifice". Despite the title, nothing was spared in the production of this EP. From start to finish, this is roughly 10 minutes of death metal the way it's meant to be. Incarceration draws heavily upon the sinister regional sound Duracell's native Brazil became known for in the 80's, but presented in a much more varied and well-produced manner. Though Sacrifice mostly consists of classic death metal songwriting, there are definite hints to other genre tendencies as well. Especially the closing track Cemetery of Lies relies on some hardcore punk-derived mosh parts, letting go of the mainstay two-beats for just a little while. There's not much going on in terms of slowing down except for a few breaks here and there, always keeping things lightning fast and precise.

Most early extreme metal bands like Bathory, Hellhammer, Venom, Sarcófago or Sepultura weren't at the time known for their dedication to being tight. In fact, most were infamously sloppy. Back then that was just how things were, it was part of the scene, a side effect of extremity. As time passed and the genres got more defined, so did the musicians writing and performing the music. With Incarceration, there's absolutely no trace of sloppiness. The trio performs way beyond was is expected from old school death metal throw-back bands of today, and does so without losing one single ounce of the malevolent and chaotic feel those bands had back in the 80's.

I cannot stress enough just how much fans of early death/thrash should check out Incarceration. Whether or not they'll be the next big thing in the underground really doesn't matter, because this is where you will get your fix of flesh-rending guitar hooks, demonic screams and blasting battery. 9/10 guitars.

Tracklist:
1. Forsaken and Forgotten
2. Sacrifice
3. Cemetery of Lies

INCARCERATION on Facebook
INCARCERATION on Bandcamp

Despot - Satan in the Death Row [Full length] (2013, Self-released)

The South American continent has long been one of the big players in extreme metal, and bands like Sarcófago and Sepultura are household names in metal today. Picking up the mantle in 2008 is B.A.V., formerly of Necrocult and Unholy Massacre, when he created Despot, a militantly crude black metal project through which he released 3 demos until laying the finishing touches upon his biggest opus yet, Satan in the Death Row.

Right off the bat Despot and the associated album Satan in the Death Row gives off a somewhat schizophrenic vibe with the colourful and vibrant cover art leading the thoughts more toward hipster-indie stuff rather than the savage black metal tunes that inhabit the disc. The intro track, too, supports the notion that Satan in the Death Row is an effort quite dissimilar to the traditional approach many bands take, its electronic ambience sounding more akin to certain European pioneers. But at the very core of it all is the raw bulk of black metal coarseness, a more obvious product of Despot's national ancestry. And like many of the Despot's South American predecessors the music itself - the riffing in particular - has an inherent tinge of thrash metal, turning songs like Purified by Fire into relentless Sodom-esque tunes.

The weirdness and ambiguity of Satan in the Death Row doesn't end with the perculiar choice of artwork or the ambient intro. The beginning of the album's eponymous track also feels a bit out of place along with the same track's oddly melodic solo and the epic aftermath of same, and the closing track of the album neatly ends the experience in much the same way as it began. Fact of the matter is that all these elements serve to subtract from the often cheesy sense of self-worth and arrogance inherent to some black metal acts. The commanding beats of the programmed drums to which B.A.V. plays his militaristic riffs and rasps his belligerent lyrics grants Despot's music a militant and vigorous sound, and the marching habit of his compositions could well have devolved into mediocrity.

Not knowing Despot's previous demo work it's hard to say for sure, but Satan in the Death Row feels like an ambitious endeavor. The riffs aren't too shabby but often feel lost in a hostile environment of ferocious drum machines where the strings don't quite come into their own. Classical elements and computerized choires lend a certain amount of melody to the mix, which in turn once in a while makes it harder to discern individual elements. Not always does the compositions follow the tide of battle, but it can generally be said that the 9 tracks on Despot's debut album present a different take on modern, South American black metal. 6/10 guitars.

Tracklist:
1. Introduction: Divination
2. Matriarch
3. Auto-da-Fé
4. Purified by Fire
5. Satan in the Death Row
6. Forbidden
7. Le Roi Nu
8. Egregious
9. Outro

Visit Despot's official Facebook
Listen on Bandcamp where the album is also available as pay-what-you-want

Escarnium - Rex Verminorum [EP] (2011, Hellthrasher Productions)

You could probably say that there was two major influential groups in early death metal: The Florida-scene and the Swedish scene. Though the bands from both places played death metal there were some differences in sound and such. The Swedish scene's trademark chainsaw-guitar sound is a trait that has since been used by bands all over the world.

The Brazilian deathdealers in Escarnium mix the brutallity of Brazilian death metal that we all know (or SHOULD know!) and this fuzzed up guitar sound of Sweden. Filled with great riffs, headpounding drums and a total rotting old school feel despite the somewhat modern production Rex Verminorum is a short display of absolute death metal power.
If you are ready to embark on a journey through disease-ridden lands covered in death and suffering, Escarnium will help you get there with these 30 minutes of blastbeats, tremolo riffs and magnificently executed growls.

Now, this isn't going to be all appraisal. As much as I'd like it, no album or EP is perfect. But with Rex Verminorum I can't really put my finger on anything other than lack of ingenuity. While the album is definitely a fun and enjoyable listen, it's not really anything new. It's not been done overly much, so it's still within acceptable bounds.Laden with well-executed blastbeats and a dry sound Escarnium are a beacon of light in a sea of mediocrity. There's the occasional unleashing of a vicious guitar solo, and though the Brazilian quartet rarely push the speed limits their brand of death metal that is usually mid-tempoed sometimes unleash short blasts of lightning fury.

Escarnium have a way with flow. Despite some of the songs being from another release, the "Covered in Decadence" demo from 2009, all the songs fit together like pieces of a morbid puzzle. The hellish vibes of the Rex Verminorum EP should disappoint no fan of solid Swedish or Brazilian death metal. 8/10 guitars.

Tracklist:
1. Dark Clouds Above Hell's Fire
2. Self Proclaimed Messiah
3. Rex Verminorum
4. Covered in Decadence
5. Enfeeblement and Iconoclasm
6. His Final March
7. Slaves of an Ending Fate


ESCARNIUM official site
Hellthrasher Productions official site