30 Nov 2014
Plaguewielder - Plaguewielder [EP] (2013, Self-released)
Luxembourg is not known for its wealth of metal bands. As a matter of fact, Metal Archives states that the small European country has had as little as 76 metal bands, under half of which are currently active. I don't remember ever having heard of a metal band from Luxembourg, and yet here we are, talking about Plaguewielder, a band formed by Discordant System members Maxime Weber and Nicholas O'Connell.
Crushing guitars and a varied take on drumming, plus a sharp and heavy production are mainstays with the sound of doom aswel as with Plaguewielder. Their take on the genre through their debut self-released EP of the same name casts light on how to alleviate the insufficiencies of many other upcoming bands within the genre. Keyboards, organs and choirs aren't at all new to the genre, but Plaguewielder's keyboardist utilizes his instrument to its fullest when adding atmosphere to the tracks. Lurking in the background with the synths are the painfully whispered screams that are the vocals, while drums and guitars take the helm. A classic approach, some may argue. Some do it better than others. Mostly I'd say Plaguewielder barely resembles any metal band. Their music swirls around post rock elements, and the most metal song on the EP is arguably The Funeral March.
There are many great doom bands out their that master the art of atmosphere, and Plaguewielder's music is indeed just that - Atmospheric. Their music features some interesting use of eerie synth, but with long stretches of tedious melodies and meandering riffs their music often borders on becoming generally uninteresting in nature. The flow found in the songwriting on Plaguewielder's debut isn't always up to par, and as such the EP feels very ambivalent. On the opening track, Drowning, one minute we're listening to a crushing tune that fades into a passage of thinly veiled synths, and the next thing you know a bland guitar chimes in with a whiney melody. Where exactly are they going with this? I get song progression is key, especially in songs of extreme length like with Plaguewielder's take on atmospheric funeralesque doom metal, but the whole latter half of Drowned is barely even rock music as much as it is just a 6-minute wank fest of arpeggiated "solo" pieces set to a seemingly unrelated drum track with a few screamed vocals joining the keyboards in the background once in a while.
Luckily the remaining two tracks are of superior quality. Though very different from each other, they present the band from its best sides. Casket of Dying Flesh shows their capacity for drive, passion and zest with its use of pumping 70's organ-keyboards and catchy melody. The Funeral March is a testament to the great old ones of the genre, a true set-piece of doom, and portrays savage intensity, eerie piano passages and maddening screams.
Plaguewielder's debut album/EP/whatever is a lengthy one. At times it serves best merely as background music, but once in a while they take a step forward and force their way into your consciousness. But these moments are a bit too far between. Realistically this is what will separate the bands of tomorrow. But the band from Luxembourg has definite potential hidden away within their music. More force, less tip-toeing around. 6/10 guitars.
2. Casket of Dying Flesh
3. The Funeral March
Plaguewielder on Facebook
Plaguewielder on Bandcamp