Agga - Agga [Full length] (2008, Self-released)

Folk legends and traditional mythology of old, be it Celtic, Norse, Medieval or other, has been featured as musical inspiration and lyrical subjects in metal bands for a long time, dating back to the early releases of bands like Cruachan, Skyclad, Bathory and Subway to Sally. In more recent times the incorporation of mesopotamian, oriental, egyptian and mediterranean elements have seen the light of day with bands like Nile, Melechesh and Orphaned Land on the forefront of these glorifiers of the ancient days of the cradle of the Earth.

En Eabatu, the Lord of Babylon and the sole member of AGGA, is one such person. With lyrics firmly rooted in Babylonian and Sumerian mythology aswell as Lovecraftian lore and music in the genre of black metal with an absolute and dominant twist of ancient-sounding folk music, Agga is a phenomenal example of the fact that you don't have to follow tradition in music. En Eabatu has labeled Agga as "mystical metal", and I find this to be a very exact description as this 7 track album indeed has a huge emphasis on the mystical atmosphere. When listening to Agga I find myself imagining a dark, ancient mediterranean city.

It's obvious to the listener that Agga's main strength lies in the incorporation of this dark, ancient ambience in the otherwise standard black metal sound with incredibly catchy and atmospheric riffs aswell as catchy choruses. The overall feel goes great with the metal elements and the vocals which are mostly a mix between black and death vocals. The structure and flow of the individual tracks also help contribute to the overall feel that it's obvious Agga has gone for.

Overall I feel you could say that this debut album from 2008 exhibits an extrordinary sense for atmosphere. The only thing dragging the self-titled release down is dodgily mastered guitars and a final track that is definitely below par. Other than that: 8/10

Tracklist:
1. Dance of the Fire Serpent
2. The Lord of Babylon
3. Desert Death Winds
4. The Calling
5. Neo Sumerian
6. The Rise of Gibil
7. Out of the Cold Desert

Agga - Agga is available for free download HERE
Visit AGGA on Facebook

Interview with Damnum Animus (2011)

Neoclassically-inspired black metal mastermind "Chaosweaver", the man behind Damnum Animus who's been reviewed twice on Goul's Crypt, agreed to do an interview on the basics and future of his solo project Damnum Animus and had this to say:

Goul

So you're from North Carolina. What's the scene like there?

Chaosweaver

The metal scene in North Carolina, as a whole, is fairly diverse, but I live in a podunk town where very few people like metal. Those that do normally are classified as scene kids, because many of the so called "metal" bands out here are stereotypical deathcore. However, there are a few notables, such as Final Curse (classic thrash), Black Acid Moon (stoner doom), and Syopsis (techdeath).

Goul

So I don't take it there are any bands like yours, genre-wise, in your area?

Chaosweaver

Unfortunately, no. Finding another member with similar influences is hard enough, let alone finding other bands.

Goul

What inspired you to make what is essentially neoclassical music mixed with ambient and black metal vocals and drumming?

Chaosweaver

This started, as you may or may not know, as a DSBM (Depressive Black Metal) project. The transition from that to what Damnum Animus became was pure happenstance; I was messing around with a MIDI file of "The Last of My Kind" on my DAW, and put cellos in place of the guitars. Voila, Damnum Animus was born. That being said, I've always had a love for classical music, especially bombastic classical (movie soundtracks, Tchaikovsky), so transitioning wasn't a stretch of the musical imagination.

Goul

Did this genre come naturally to you?

Chaosweaver

Some of the elements took some getting used to. Creating an atmosphere isn't the easiest thing to do if you're used to metalcore style songwriting.

Goul

Are you in any other bands, or do you have any other musical projects?

Chaosweaver

I have both, in fact.

Invoking the Divine: an experimental metal band with my good friend Josh Horne.

The Fall of the Heretic: a metalcore project that I've been messing with for a good 6 years.

Decaying My Youth: death/doom metal project. Main feature: huge riffing.

Goul

To return to Damnum Animus, how was the initial response to your style of music, especially "Sanity: The Lies of the Father"?

Chaosweaver

Generally, the response was good. I got several reviews commenting on the "coldness" of the music, which was what I was going for. The main complaints were the sudden stops and starts, as well as the similarity of the tracks.

Goul

Since you're only one person in the band it seems obvious to ask: Why? Why are you the sole person in Damnum Animus? Is it because of creative controle, was it too difficult to find band mates, or something other?

Chaosweaver

It's multiple things. Creative control was never an issue, as the other bands I've been in have never had that problem. The main reason I'm the sole person in Damnum Animus is finding people with similar influences. Drummers are hard to come by in this area of North Carolina, as are good bassists. Session musicians are not out of the question; however, it doesn't seem like there will be any for a good while.

Goul

Can you tell us about the pros and cons of being a one man band?

Chaosweaver

Pros:

No arguments with band members.

Make your own working schedule (rather than practice x times a week).

Decide exactly where the band will go.

Cons:

Some ideas sound great to you, but shit to others.

Less outside influence to add new sounds to the band.

No live playing.

That last one is a big one.

Goul

Do you have any goals regarding Damnum Animus?

Chaosweaver

Yes, I'd like to play live at least once.

Goul

You've got a new release coming out sometime in the future called "Beneath the Swells". Can you tell us a little about this album and what it's gonna feature?

Chaosweaver

This will be a FULL LENGTH album. It will feature many of the same elements of the previous EP: symphonic soundscapes, ambient and black metal influences; however, it will feature both acoustic and electric guitars, more vocal variance including clean vocals, epic length songs (10+ minutes), and much more. The lyrical content is also much different. The last album was focused on depression, religious struggles, and hopelessness; this album will be focused on depression as well, but the lyrics will be written through my love of oceans. It's going to be nothing like you've ever heard; the old EP will be "Thrown To The Sharks" (song title!).

Goul

If you wouldn't like to add anything, this concludes the interview! Thanks a lot!

Chaosweaver

All I'd like to say at this point is thanks to everyone who's listened to the music and given me feedback on it, including you. Get the album when it comes out!


Visit Damnum Animus on Facebook
Read the original review of Sanity: Lies of the Father and Forgotten by the Waves

Kon Hex - Magnetic Sun [Full length] (2011, self-released)

Drone, the genre of the masters of patience. If you listen to drone you better be prepared for tracks in excess of 30 or even 40 minutes. To me drone is a genre best suited for background music like ambient, but I find that few bands play drone without any influences from other genres like doom metal, funeral doom metal or even stoner rock. Drone is mostly thought of as a monotonous and boring genre in which the musicians don't require any actual skill, but I disagree.

The Canadian one-man band Kon Hex is a young band with a number of releases up it's sleeve. With the release of the full length "Magnetic Sun" after the full length "Charge V" and the EP "Expanse", Kon Hex has aimed for a standard approach to drone but with a twist of the abovementioned influences from funeral doom metal and ambient. It seems the focus of this solo project has been on atmosphere rather than riffing, as is the case with much drone doom metal.

If you like drone with a twist, check out Kon Hex's material. The Magnetic Sun full length features classic drone with occassional drums, bringing with it a slight dash of funeral doom metal. With a total length of more than an hour there're lots of details to notice and explore in this interstellar journey known only as Kon Hex.

The material on Magnetic Sun, even if it contains only 4 tracks, has a wide range of atmospheres and feelings. From sinister and evil atmospheres like of an ancient grotto or cavernous cathedral to something out of this world, eldritch and lovecraftian. Kon Hex manages to really set the mood, in no small part due to the magnificent intro track that does exactly what an intro should: Set the atmosphere for the rest of the album. The crushingly dark focus of Magnetic Sun is the perfect soundtrack to deep space and is a fantastic example that drone doesn't have to be boring and uneventful. The sluggishly heavy chugging riffs have something utterly alien and intergalactic about them.

Some of the chugging parts of Kon Hex - Magnetic Sun even have hint of Tom Warrior's new band "Triptykon" about it. Magnetic Sun sets an example for drone as a vast, black monolith in a dark and desolate ocean. As proof that drone is easily combined with other similar genre. As an example that drone isn't necessarily monotonous. If you're a fan of Sunn O))), Nortt and Urna this is definitely worth checking out. 7/10 guitars.

Tracklist:
1. Intro
2. The Uncharted Notice
3. In the Seas of Darkness
4. MSun

All Kon Hex releases can be downloaded HERE
Kon Hex - Magnetic Sun is available for free download HERE
Visit the band on their official website

Brainerd - Brainerd / The Goat [Full length] (2008, Zodiac Killer Records)

America is, given it's size, a country that houses a throng of obscure but great bands of all genres. Brainerd is one such band, and armed with a dirty garage-sound, smashing, memorable riffs and gruff vocals they're poised to take on any heavy groove-oriented metal band out there.

Their style could probably best be described as a ghastly hybrid between Entombed, Metallica and just a little pinch of hard rock and punk. One thing is certain: They play some filthy music, and they do it magnificently. The structures aren't what you've come to expect from modern metal bands - Instead they're different and the material features a fresh take on riffing in mid-to-slow-paced metal. Straightforwardness is a key word with Brainerd's debut and to say it's boring because it doesn't feature neckbreaking drums and fast gutiar play would be plain wrong. There are so many facets and aspects of this 9-track album that to describe them all here would be folly. A little piece of psychedelia here, some doom metal there, some esoterical babble over yonder, it's all there.

Simplicity is, quite paradoxically, a complicated thing. Make it too simple and it's boring and has too little variation. Make it too intricate and it becomes a complicated mess of utter chaos. Bands like Motörhead and to some extent AC/DC have mastered the fine art of balancing music so it becomes simple yet fantastic. Brainerd has achieved something akin to that of the previously mentioned bands - Making music just simple enough to be easily memorable but still fitting it with lots of surprises.

Generally speaking the self-titled album has everything a release in that genre needs. Thick with catchy vocals and guitars, simple songwriting and a perfect length for you to be entertained and never get bored, Brainerd can get nothing other than 9/10 guitars.

Tracklist:

1. Dracula Marine

2. Demon in the Night

3. Blood Money

4. Powerlines

5. Devil Star

6. All Night Party

7. Love Convulsion

8. Mud

9. Hurt in a Skirt

Visit Brainerd on Myspace

Aortic Regurgitation - Aortic Regurgitation [EP] (2010, Self-released)

Thrash metal is by far one of my favourite genres. Not as versatile as other genres, it originates from hardcore punk and has had a huge influence on modern metal. Among one of the more aggressive subgenres, thrash metal is also quite popular and has been so since it was pioneered by American bands like Metallica and Slayer in the early 80's.

China is not a country usually connected with metal music, let alone thrash, and indeed this is the first Chinese metal band I've ever heard. The Hong Kongese thrash band Aortic Regurgitation released their first material, the eponymous five-track EP "Aortic Regurgitation". Thrash metal, to me, needs the following ingredients to work: Fast and ripping riffs, rapid drumming, throat-tearing vocals and gritty production. This EP has all of those things. Vocals not entirely unlike those of Morbid Saint vocalist Pat Lind and a hellishly dirty sound make up for an outstanding 22 minutes of utter destructive thrash from the fiery pits of hell.

The filthy vocals of the female singer Cynthia "Syn" Yim infect the mind of the listener with absolute brain-rupturing sonic terror combined with the thrashy riffs, reminding me mostly of the beastly thrash metal of South America. The Chinese duo succeeds in producing demonic fast-paced metal with elements of both black and death metal, creating a bastard child of clear malevolence and evil.

Relentlessness, mind-terrorizing vocals and intricate riffs altogether make up for the obvious use of computer drumming, and Aortic Regurgitation - though the name sounds like death metal - delivers straight to the point filthy thrash metal from the far east. I'm looking very much forward to hearing more from this Asian duo. After listening to this manifestation of evil I'm definitely Damned to Serve. 8/10 guitars.

Tracklist:

1. Damned to Serve

2. Infestation

3. Dementia

4. Alien Worlds

5. Silent Night

Aortic Regurgitation - Aortic Regurgitation is available for free download HERE
Visit Aortic Regurgitation on Myspace