Serpenthia - Beyond [EP] (2012, Self-released)

Scandinavia is rich with black metal history. A country that has always been a bit overlooked when talking about the history of the black metal genre is Finland. A lot of good bands like Satanic Warmaster and Horna originate from this country, but they have always been overshadowed by their Swedish and Norwegian counterparts aswel as Finland's tremendous export of folk and power metal bands.
The Finnish style of black metal is often associated with a very tinny and raw sound, but Serpenthia from Joensuu are pretty far removed from this tendency. Since they formed in 2002 they have had somewhat of a revolving door lineup but have in spite of this released a steady flow of demos, ultimately culminating in the release of their 2012 EP "Beyond".

With a name like Serpenthia and a genre description going something along the lines of "melodic dark metal" I was half expecting some female-fronted symphonic metal atrocity, but what Serpenthia actually present on Beyond is a fairly diverse take on melodic black metal. While the majority of the material can be described as black metal with various melodic and symphonic inputs there are places where the riffs and vocals in particular border more on death metal while at the same time keeping the same feeling as the rest of the EP.

The guitar sound has a thick tone to it which is pretty unusual for most black metal. It goes great with the swarming riffs and further accentuates the tenebrous death metal feeling that some of the parts have, and the riffs in particular are what makes the Finnish band noticeable. Serpenthia have a tendency of taking a riff or melody that sounds mostly simple and then turning it inside out which makes for some really interesting songs.

Beyond is actually really long for an EP being almost 40 minutes long. If I recall correctly Slayer's magnum opus Reign in Blood is only about 28 minutes, and this is considered a full length album. It's by no means a bad thing that Beyond is a lengthy release, because the band manages to keep renewing their black metal efforts throughtout the EP (or album if you will). Beyond sometimes misses a bit of consistency, but the divergent flow of their songs are at the same time one of the strongest points of Serpenthia. 7/10 guitars.

Tracklist:
1. Them
2. The Spectre
3. Nightbringer
4. Beyond the Veil
5. Tragedy
6. The Fall (Deception pt. 2)

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Dark End - Grand Guignol - Book I [Full length] (2012, Self-released)

It's funny how symphonic black metal isn't played by that many bands, and yet there are several very well known bands to emerge from that scene. I suppose the mix of easily accessible melody mixed with the extremity of black metal makes it a good combo for many people. One might argue that the reason there aren't that many bands in the genre is because of the needed musicianship. To create good symphonic black metal you can't just write up simple melodies in shitty classical VSTs over equally shoddy black metal riffs, you need to actually be able to write captivating and preferably eerie symphonies that also fit together with, again preferably, complex black metal.

A band that perfectly encompasses what I described lastly is Italy's Dark End. Having just toured with large names like Cradle of Filth, God Seed and Rotting Christ, one my say they have their work cut out for them. Can they dethrone bands like Dimmu Borgir, Cradle of Filth or Emperor? In 2012 Dark End released their third album, entitled "Grand Guignol - Book I", and while I haven't heard their previous material I feel safe in saying that they could very well be the next big thing in the genre.

The Italian band aren't doing much out of the ordinary, but by playing a genre that doesn't have a lot of bands there's a certain imbalance in supply and demand. That said, Dark End aren't just resting on their laurels - Grand Guignol: Book I is a phenomenal album. Animæ's characteristic vocals go in perfect unison with Antarktica conveyance of classical symphony, which in turn fit perfectly with the black metal parts vomited forth by Ashes, Nothingness, Specter and Valentz. You can tell that Darkend is a band that wants something with their music. There is absolutely nothing half-assed about Grand Guignol - Book I. It's extremely well-executed and thorough in almost every aspect, and it just seems so... complete. One of the things I like the most about Dark End is their take on the genre: Not as extreme or fearsome as Anorexia Nervosa, not as dark and esoteric as Limbonic Art, but way more catatonically climactic and immersive than Cradle of Filth or Dimmu Borgir.

Whilst writing the review I thought to myself that Dark End would be a great alternative to Dimmu Borgir. Then it occured to me that a band such as Dark End are probably sick and tired of being compared to that band, and while Dark End don't possess the same pop-ish easy listening "qualities" as Dimmu Borgir, their styles are alot alike. Especially in songs like "Spiritism: The Transmigration Passage" and "Dawn: Black Sun Rises" does this become apparent when the parts with clean vocals much like the way Dimmu Borgir utilized those of ICS Vortex come in. But Dark End just make it work so well. So much so that I've been listening to Spiritism almost non stop since I noticed it. That shit is CATCHY!

If you don't like symphonic black metal, I don't think Dark End will be the band to change your mind. They're great, and Grand Guignol - Book I is something truly special, and if you're into that kind of stuff I strongly recommend it, as it is probably the strongest album to emerge from the genre in years. Even if Dark End aren't bringing anything new to the table they still managed to create a masterpiece of symphonic black metal where you can actually still hear the black metal elements, which is more than you can say about Dimmu Borgir's latest albums. 8/10 guitars.

Tracklist:
1. Descent/Ascent (II Movement)
2. Æinsoph: Flashforward to Obscurity
3. Doom: And Then Death Scythed
4. Spiritism: The Transmigration Passage
5. Bereavement: A Multitude in Martyrized Flesh
6. Grief: Along our Divine Pathway
7. Bleakness: Of Secrecy, Haste and Shattered Crystals
8. Pest: Fierce Massave Slaying Grandeur
9. Decrepitude: One Last Laugh Beside Your Agonies
10. Dawn: Black Sun Rises

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Denyall - Dehumanized [Demo] (2008, Self-released)

The last decade symphonic and gothic metal has prospered immensly with bands like Nightwish, Evanescence, Within Temptation, Epica and Sirenia making their way to the scene. This wave of female-fronted pseudo-gothic bands have spawned hundreds of bands that try to copy their sound.

Denyall is a band that, at first glimps, could just be another one of these bland diva bands. While their songtitels certainly imply so, even at first listen it is clear that they're doing it somewhat differently. Bands lik Within Temptation and Nightwish have a rather melancholic and melodramatic sound to them, but Denyall seems more haunting and full of dispair. The cover features a blackhaired girl sitting in a corner of a bland room in what looks like a straitjacket.

What really makes Denyall stand out from the veritable hordes of diva bands is the utilizing of growls. The vocals can suddenly go from regular clean singing to growling, not unlike that of Battlelore, which is probably the band this also Finnish sextet has most in common with.

For a demo the production is better than one would expect, and even though it contains just 3 songs for a total playtime of 11 minutes and 46 seconds, all these songs are very well-composed and nicely put together. The tracks all fit together perfectly without any major deviation from the overall style, yet it doesn't become stale and uncreative. They utilize a minimal amount of keyboards, thusly not falling into the pit of overly keyboard-dominated symphonic metal like so many others. The guitars actually play some memorable riffs once in a while but still maintain a certain level of heaviness. The variation in the vocals is probably the band's main selling point for me though.

Denyall represents the fact that not all symphonic/gothic bands are talentless hacks. This 3 song demo is filled with great song structures and well thought through tracks. Normally I wouldn't even consider listening to symphonic metal, especially not female-fronted ones. These bands tend to all sound the fucking same, but Denyall manages to steer away from the typical concepts of what is gothic metal.

That being said the demo is a little short for my taste, and symphonic metal really isn't my type of thing. While Denyall - Dehumanized is somewhat different from most symphonic metal, it still is symphonic metal, which I feel is a tried out genre.

In spite of this, Dehumanized receives 7/10 guitars.

Tracklist:

1. Dehumanized

2. Garden of the Condemned

3. Late

DENYALL on Mikseri.net